Tag Archives: theatre

Over The Rainbow

Over The Rainbow

George, the Creative Director of RtR, was in Budapest for three days delivering an intensive course about Rainbow of Desire …

The Budapest crew!

Expect to cry. I now understand the emotional release of tears during a workshop is a sign that things are going well. It sounds bizarre, borderline perverse, but I now suspect if I ran a course in Rainbow and someone didn’t cry, I must be doing something wrong.

From Friday we used the Analytical Mirror to explore moments of indecision (which job to take, whether to move to another country with a partner), to Saturday when we applied the Rainbow itself to discussing a moment of rejection by a former lover, to Sunday’s exploration of ending a relationship that has become addictive, but toxic, through the Cop In The Head. Each time, despite moments of levity and joy, a palpable atmosphere descended upon the group, one of intense listening and focus as the protagonist battled with concrete versions of their doubts, fears, desires, talking them around into transformation.

My heart was in my throat throughout each presentation, as the responsibility of bringing people into some highly emotive states rested squarely on my shoulders, but I am relieved and joyful to report that, as ever, people emerged from the experience reporting release and relief, and often, a little better understanding of themselves.

Collaborating with Ruth Cross also provided a great foundation to the emotional work involved in the afternoons. Ruth facilitated some incredible sessions involving massage and power, and I look forward to working with her again in Ecodharma in May.

Equally, organiser Andras was amazing, managing with the help of his team to clean out and prepare a semi-derelict cafe space for us to use the basement of- replete with carpet tiles, heaters and lights!

I was thrilled to see so many of the people we worked with in November return, and hope to see them all again very soon to continue our journey. There are plans for subseqent workshops in Budapest, plus I have invited them all to join me in Cluj next month for a week of forum theatre training, and aswell there is Tu Fuokan festival coming up in June. It’s shaping up to be quite a year!

 

Summer In Hungary (4) – from Iulia Benze

Summer In Hungary (4) – from Iulia Benze

Iulia Benze on her final day presenting a course on Identity Deconstruction at a festival in Hungary.

 

We started the Sunday with a session of Yoga outside, in nature, held by E. and S.

Two new people joined us, Anjan and Andy. Anjan was really worried for her, he asked me if I could help her as she was constantly crying and being depressed. Our entire session (the last one for that series in Cserhatszentivan) changed, trying to include her into the warm-up and Barba sticks. Her will to get into the workshop was very weak, other members tried to include her as well. I instructed her into the Barba Sticks movements, even though she was lacking concentration and it felt she wasn’t there. At a certain moment, in our struggle to connect with her, she hit the lamp smashing it into loads of glass pieces and that seems to have represented for her the relief point and liberation time that she needed. After that, she decided to leave. Anjan remained with us.

We ended our last session with Grotowski movements turning it into an improv free dance contact where we all kept contact with each other until we found an ending on the floor, all silent, still and breathing together. We also had a few minutes of meditation and after that the final discussions.
As a human and artist, I am extremely grateful for this opportunity created to go in Hungary, Cserhatszentivan and facilitate workshops in my own practice. I met wonderful people, professionals in their own domains, and we all laughed and cried together and I was able to share from my knowledge. I am mostly a performer, I never facilitated a workshop by myself before; this time I was oscillating between being a performer and a facilitator and many times I was asking myself if it is going to work, because of the intense nature of the practice. Towards my amazement, it did work, I did manage to keep those entities separated and to make them harmoniously function together, bringing a lot of discipline to me, as an artist and individual. In this new position, I also learnt how to take care of people around me, how to listen and understand their needs.

It was a wonderful experience for everyone and now we are working together towards booking future workshops in Budapest, in November this year.

Summer In Hungary (1) – from Iulia Benze

Summer In Hungary (1) – from Iulia Benze

Iulia Benze was sponsored by Reboot The Roots to attend a festival in Hungary to present …

The Alternative Series Workshops Reboot The Roots in Cserhatszentivan, Hungary, July 2015

2nd of July: 8 participants. We worked in a very small room, in an old house and I had to adapt the exercises of Identity Deconstruction for that old living room (it was an old traditional living room), with lamp hanging down from the middle of the ceiling.

We started with everyone introducing themselves and talking about any injuries as well, as a mean of preparing them for what it will come and assuming responsibility. It followed up by a warm-up session and a game throwing a shoe to each other and calling our colleagues by name in the same time.

We continued with Barba Sticks, everybody was extremely careful with each other but in the same time enjoying the task very much. I went with all the participants through the instruction of this exercise. I allocated a longer training into this to D., who later on told me he was autistic and how much this experience helped him so much.

After working with discipline and staccato movements, I wanted to relax the atmosphere with fluid dance like movements through Grotowski movements which turned into trans improv contact dance and I was very pleased to see that from our first session participants weren’t shy to interact/touch while flowing in the space. That created a beautiful balance with what we did earlier.

Going in the same direction, we also tackled the exercise of Positive Energy Cycle (positive argue-justify) and it revealed a lot of aspects to some participants.

We ended our four hour session with meditation and discussions regarding what we did, felt or learnt.

In the end, we managed very well to work and fill the space, the room gave us a certain intimacy, in fact it forced every one of us to continue moving and to enjoy the proximity of our partners, and it facilitated some really intense and high perspiration level sessions, leaving participants wanting and asking for more hours in the session per day.

Some of them told me that our first session of Alternative Series of Workshops just made them change their mind about going back home from the festival, which was predominantly based on concerts, as they weren’t enjoying it very much because of the lack of theatre experiences. So I was very pleased to see that, as an artist, first time facilitating these workshops by myself, I managed to offer to participants some fulfilling experiences that made them change their minds about leaving and also spread the word about the intense work we are doing; at the end of the festival, many people approached me intrigued about what we were doing, asking information, some of them giving it go, some of them not, some just coming with outside personal issues thinking that they can be resolved with a session of workshops. Little they knew though that this requires a longer process!