So it’s another 6 hours until I take my bus from Liverpool Street to Stansted. Have double-checked my passport and ticket and now just looking over the details on what’s planned for this weekend. This is the first time I’ve run a 3-day Rainbow of Desire course, though I’ve done the individual exercises innumerable times in different forms. I’m very excited to see how it feels to dedicate a whole weekend to this technique. We are planning to look at Cop-In-The-Head, the Multiple Mirror and of course, the Rainbow of Desire itself, but I’d also like to try out such techniques as the Multiple Images of Happiness (what joy) and some others. But time is always so short! Am really glad that Ruth Cross from the Ecodharma/Eroles project/COP21/Beeva change crew is along to co-facilitate. Will let you all know how it goes!
For any of you not so familiar with RoD, you can read more here. It’s a good resource with some nice break-downs of the techniques. I’ll also be sure to post my own notes and responses to what happens on the RtR resources page afterwards. It’s essentially a theatrical technique for examining internalised oppressions – what happens when the cop leaves the ideological barracks and moves directly into our heads. You can read about some of the previous experiences we had with this technique in Ecodharma in our report here and also in Cluj last year, but I’ve included an extract below …
The RoD Technique – a woman has dinner with a man, they are both happy to be reunited after so long. The man invites the woman to sit on his knee, which she does, and then he reveals a ring and proposes to her.
The participant was invited to make images of the emotions she felt at this time: Excited, Shock, Nervousness. The audience suggested two more – Suspicion and Contentment – which the participant accepted. The scene was then replayed with each of these images in the protagonists place. The participant then arranged them into an image, then an ideal image, then dialogued with each of them trying to convince them to become ideal. The images then battled each other.
Participant reported the experience ‘fascinating’ and ‘powerful’, and that it allowed her to reflect on how she was then, compared to how she is now, and what areas of her life she still needs to work on.
The Analytical Image – a mother and child ride home in a car from visiting a friend who hosts many children. A conversation ensues whereby we learn that there is domestic violence between the absent parent and the child, and that the mother does not wish to discuss it. The mother suggests that the only solution is to call social services, who will take the child away and not punish the abusive parent.
The audience made images of the protagonist and the antagonist, which were then pairred off together and the scene replayed. The participant whose scene is was also played the part of the mother, and reported that it helped her understand a good deal more about the dilemma of her mother. She also reported that it was encouraging for her to be able to analyse the images rationally without succombing to emotion.
Let’s see what happens in Budapest …